liminal spaces — transitional environments that exist between states, functions, or meanings. Such spaces often feel unsettling not because of what they contain, but because of what is absent: purpose, presence, or human warmth. They expose a quiet inner emptiness that mirrors our own moments of disconnection. The work draws a parallel between this spatial emptiness and the moral and cultural voids of contemporary society. Figures like the financier Jeffrey Epstein are not presented as individuals alone, but as symptoms — reflections of systemic decay, normalized detachment, and the erosion of ethical boundaries within modern culture. The photographs in this series are appropriated from publicly available materials related to the Epstein case. Removed from their original context and re-framed as liminal imagery, they function as silent spaces where power, absence, and unease intersect. This project is not about spectacle, but about discomfort — the quiet, lingering kind that forces reflection.